Textile printing, the various
processes by which fabrics are printed in colored design, is an ancient
art.
India exported
block prints to the Mediterranean region in the 5th cent. B.C., and
Indian chintz was imported into Europe during the Renaissance and widely
imitated.
Early
forms of textile printing are stencil work, highly developed by Japanese
artists, and block printing.
In the latter method a block of wood,
copper, or other material bearing a design in intaglio with the dye
paste applied to the surface is pressed on the fabric and struck with a
mallet.
A separate block is used for each color, and pitch pins at the
corners guide the placing of the blocks to assure accurate repeating of
the pattern.
In cylinder or roller printing, developed c.1785, the
fabric is carried on a rotating central cylinder and pressed by a series
of rollers each bearing one color.
The design is engraved on the copper
rollers by hand or machine pressure or etched by pantograph or
photoengraving methods
The color paste is applied to the rollers
through feed rollers rotating in a color box, the color being scraped
off the smooth portion of the rollers with knives.
More recent
printing processes include screen printing, a hand method especially
suitable for large patterns with soft outlines, in which screens, one
for each color, are placed on the fabric and the color paste pressed
through by a wooden squeegee;
spray printing, in which a spray gun
forces the color through a screen; and electrocoating, used to apply a
patterned pile.
Color may be applied by the various processes directly;
by the discharge method, which uses chemicals to destroy a portion of a
previously dyed ground; or by the resist, or reserve, method, which
prevents the development of a subsequently applied color to a portion of
the fabric treated with a chemical or with a mechanical resist.
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